Your church sound system's audio console provides your audio inputs and outputs, microphone amplification, routing, and more. To find out which would be best for you, you first need to consider how many inputs you're going to need. Are you mixing just a single...
Welcome back everyone, this month's question comes from Dominic in Syracuse, NY, he asks "As the new tech team member on our tech team, I seem to be struggling with feedback, please help me understand it". Feedback can easily ruin the mood of a worship service – here...
Join Worship Facility editor Gene Lass and audio engineer and lead instructor for Church Sound University Samantha Potter in a discussion of how to choose the audio console your church really needs, train your production crew in its use, and get the most out of it for...
New worship space equipped with a 64-channel Avantis console for front of house and a 48-channel SQ-6 console for monitors, with I/O provided by a pair of DX168 audio expanders
Eagle Brook Church’s Ham Lake location “makes the leap” into the future with the next generation of DiGiCo processing with the very first Dante-specific DiGiCo DQ-Rack & console
Large-scale house of worship completely updates its audio management with three Q7 desks at its main campus and one more for its satellite location
Sa-Rang Community Church in Anaheim deploys L200 mixing console, citing routing flexibility for both broadcast and front-of-house mixing tasks
The new system to support the church’s addition of contemporary services incorporates a Live L350 digital desk to handle front-of-house, monitors and a broadcast streaming mix.
With a congregation of 30,000, one Dallas church scales their infrastructure to include three Live L550 consoles, leveraging Dante network capabilities.
Dream City Church in Phoenix deploys dLive consoles ranging from compact C1500 to S7000 – joined by Avantis – as the hub of its multifaceted production.
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